Reel Engagement participants and facilitators, from left to right: Robbie Gemmel, Josh Levin, Rennifer Redfearn, Lora Smith, Kristin Henry, Taira Akbar, Deb Anderson, Josh Fox, Emily Verellen, Judith Helfand, Jen Gilomen, Amanda Berger, Natalie Difford, Peter Bull. Photo courtesy of Peter Bull.
During Reel Engagement for the Energy and Natural Resource Revolution, we spent a week drilling down deep (excuse the pun) into audience engagement plans with filmmakers, coordinators, and non-profit organizations on energy and natural resource extraction issues. We’ll be updating you shortly on our website with exciting collaboration plans.
How can filmmakers whose movies touch on similar issues collaborate? How can they not!?!
I’m preparing to spend next week in the Bay Area with some amazing and dedicated filmmakers and audience engagement coordinators. We’ll be figuring out where the overlaps in their campaigns lie and how they can cover more ground together than they could alone. The films chosen for this innovative retreat are Cape Wind, Deep Down, Dirty Business, Gas Land, Split Estate, Sun Come Up, and When Two Worlds Collide. These projects are all focusing on the impact of unchecked natural resource extraction and/or innovative solutions for turning things around before it is too late. You can watch the trailers on our workshop page.
On day four, we’ll head to the Brower Center in Berkeley and will be joined by a number of groups central to the energy and natural resource revolution, including Bay Localize, Conservation International, Critical Resistance, Earthworks, Environmental Working Group, Green for All, NRDC, Physicians For Social Responsibility (SF), Post Carbon Institute, Progressive Jewish Alliance, Project Survival Media, Rainforest Action Network, The Redford Center, Sierra Club, Speak Out, The 11th Hour Project, and additional foundation funders and individual donors.
At the end of the week we’ll regroup with the filmmakers and audience engagement coordinators to determine the essential next steps to help collaboration flourish.
We’ll be sure to post updates along the way here, as well as on our Facebook and Twitter page. If you are with an organization, foundation, or brand and are interested in joining this collaborative in some capacity in the future, contact me at khenry at workingfilms.org.
The Good Pitch North America tour, taking place at the the AFI-Discovery Channel SILVERDOCS Festival on 16 June 2009, is a partnership between the Channel 4 BRITDOC Foundation and the Sundance Institute documentary Film Program, generously supported by the Fledgling Fund and us, Working Films.
From over 300 applications, eight filmmaking teams have been selected to pitch their films and outreach campaigns to an invited audience, comprising leading national and international NGOs, foundations, broadcasters, campaigners and media in order to maximize the impact of their social-issue documentary projects. Those already confirmed to attend include: Cinereach, IMPACT Partners, Fledgling Fund, Moveon.org, Katahdin Foundation, Avaaz.org, Amnesty International, ITVS, Tribeca Film Institute, Wide Angle, Indiepix, BAVC Producers Institute for New Media Technologies, POV, Incite Productions, 1% for the Planet, The Impact Arts + Film Fund, Grantmakers in Film and Electronic Media and the Phoebe Haas Charitable Trust.
The selected filmmakers are Julia Bacha (Budrus has a Hammer), Robbie Gemmel (Cape Wind: The Fight for the Future of Power in America), Hugo Berkeley (The Exchange), Megan Gelstein (Green Shall Overcome), Stephen T Maing (High Tech, Low Life), Kristi Jacobson & Lori Silverbush (Hungry in America), Joe Wilson & Dean Hamer (Out In The Silence) and Debra Anderson (Split Estate). After a day of pitch training by Robert and Judith, they will present their projects in a live pitching event on June 16th, 2009 in Washington D.C.
Find out more about the remarkable films participating in the Good Pitch at SILVERDOCS.
We are excited to announce the 8 film projects selected to be part of the 2009 Content + Intent Documentary Institute, Working Films’ Residency at MASS MoCA. We reviewed a number of extraordinary projects and faced a difficult decision narrowing it down to the 8 films that will be part of the residency, which takes place March 11-15th in North Adams, MA.
Of the many amazing entries we selected those projects that we believe have the greatest potential to benefit from a collaborative workshop focused on creating intentional and strategic audience engagement; factors under consideration included submitted film footage, the written application and the diversity of subjects and timeliness of the issues. The following are the films selected and the members of the filmmaking team that will be representing each project: