Working Films positions documentaries to advance social justice and environmental protection.
Recognizing the power of film to inspire, we position documentaries to increase civic engagement and shift culture at the local, state, and national level. We offer funding and in-kind support to underrepresented filmmakers. And, we share our learning and foster dialogue to further the field of documentary for change. We lead conversations and trainings with grassroots groups and nonprofits to ensure that nonfiction media is increasingly embraced as a critical resource in their strategies for social change.
Our work is made possible with generous support from the Ford Foundation, John D. and Catherine T. MacArthur Foundation, Kendeda Fund, North Carolina Local News Lab Fund, Perspective Fund, Putnam Foundation, the Z. Smith Reynolds Foundation, and individual donors.
STAFF
Amalia Renteria
Communications Lead
Amalia Renteria
Amalia Renteria (pronoun she/her) joined Working Films in 2022 and currently serves as the Communications Lead. Raised along the U.S. and Mexico border in California and as the daughter of immigrants, Amalia’s work is dedicated to uplifting and honoring the legacies we come from through creative storytelling. Previously, Amalia was the Digital Marketing Associate Manager for ITVS and Senior Marketing Associate for Youth Speaks, where she was able to support and work on local and national marketing campaigns for documentary films and spoken word poetry festivals.
During her downtime, Amalia, who now calls San Jose/Bay Area home, enjoys collecting records, painting, learning how to mix music, hiking, and working on graphic design projects.
During her downtime, Amalia, who now calls San Jose/Bay Area home, enjoys collecting records, painting, learning how to mix music, hiking, and working on graphic design projects.
Andy Myers
Director of Campaigns and Strategy
Andy Myers
Andy Myers (pronoun: he) joined Working Films in 2011 and now serves as Director of Campaigns and Strategy. A longtime proponent of connecting film with activism, he led the development and implementation of Working Films' state based organizing strategy, and co-leads the Docs in Action Film Fund, and Rural Cinema program. Andy facilitates dozens of partnerships between local, state, regional, and national organizations and grassroots groups each year, using documentaries to advance their goals.
Andy also appreciates music's revolutionary role throughout history and currently plays saxophone in the Asheville-based radical marching band Brass Your Heart.
Andy also appreciates music's revolutionary role throughout history and currently plays saxophone in the Asheville-based radical marching band Brass Your Heart.
Anna Lee
Director of Learning and Development
Anna Lee
Anna Lee (pronoun: she) serves as the Director of Learning and Development at Working Films. Since joining Working Films in 2005, she has developed and coordinated multiple audience engagement campaigns, and consulted and partnered with hundreds of filmmakers and nonprofits leaders to increase their capacity to use film as a resource to move the dial forward on critical issues of our time.
Anna brought previous experience as an educator to Working Films, using her background in curriculum design to enhance our trainings for filmmakers and nonprofits. Originally she directed the development and outreach of Working Films’ multi-media curriculum project, New Faces: Latinos in North Carolina. Prior to joining Working Films, Anna was the Program Director at Amigos Internacional, a Latino advocacy and education center in Wilmington, NC. Anna. She taught first grade in a bilingual program in Phoenix, AZ for two years and spent a year living in Latin America, where she studied Spanish and taught English as a foreign language. Anna earned a Master of Education from Arizona State University and a B.A. in Sociology from Wake Forest University.
In her current role at Working Films, Anna leads evaluation, stewarding core values of learning and innovation. Anna is also part of the Development Team that raises funds for our efforts.
Anna is part of the design team of the Rise Home Stories Project, a groundbreaking collaboration between multimedia storytellers and social justice advocates seeking to change our relationship to land, home, and race, by transforming the stories we tell about them.
Together with her husband Johnny, she’s raising two wonderful sons on the coast of North Carolina.
Anna brought previous experience as an educator to Working Films, using her background in curriculum design to enhance our trainings for filmmakers and nonprofits. Originally she directed the development and outreach of Working Films’ multi-media curriculum project, New Faces: Latinos in North Carolina. Prior to joining Working Films, Anna was the Program Director at Amigos Internacional, a Latino advocacy and education center in Wilmington, NC. Anna. She taught first grade in a bilingual program in Phoenix, AZ for two years and spent a year living in Latin America, where she studied Spanish and taught English as a foreign language. Anna earned a Master of Education from Arizona State University and a B.A. in Sociology from Wake Forest University.
In her current role at Working Films, Anna leads evaluation, stewarding core values of learning and innovation. Anna is also part of the Development Team that raises funds for our efforts.
Anna is part of the design team of the Rise Home Stories Project, a groundbreaking collaboration between multimedia storytellers and social justice advocates seeking to change our relationship to land, home, and race, by transforming the stories we tell about them.
Together with her husband Johnny, she’s raising two wonderful sons on the coast of North Carolina.
Hannah Hearn
Impact Coordinator and Fellowships Lead
Hannah Hearn
Hannah Hearn (pronoun: she) joined Working Films in 2018 and is now the Impact Coordinator and Fellowships Lead. She holds a B.A in Film Studies and a Minor in Entrepreneurship & Business Development from UNC Wilmington. In her time at Working Films, Hannah has organized film screenings for action on environmental justice, designed and led sessions on documentary impact and accountability, and co-coordinated programs that highlight, support, and connect underrepresented filmmakers. In her current role, she also oversees Working Films' internship and fellowship programs. Previously, she was the Managing Director of Visions Film Festival & Conference and the Sound Mixer for the feature-length documentary “Dead in the Water” - a film that exposes the harmful practices of factory farms in eastern NC. Throughout her different roles, Hannah continually seeks to learn and think about the creative ways in which independent films can be used for change.
In her down time, you will find her attempting to rollerblade, listening to comedy podcasts, vying for her cat's attention, and spending time with friends and family.
In her down time, you will find her attempting to rollerblade, listening to comedy podcasts, vying for her cat's attention, and spending time with friends and family.
Gerry Leonard
Director of Filmmaker Services and Impact
Gerry Leonard
Gerry (pronoun: he) brings into the field of narrative shift and documentary impact, a background in grassroots organizing and policy advocacy that seeks to challenge power on all fronts to create space for healing and collective liberation. He joined the Working Films team in 2019, and has previously worked on issues focused on food justice, voting rights, and police accountability. Gerry also has a background leading DEI and racial equity work. His leadership on various coalitions and boards have resulted in policies to address racial inequities within the carceral system, new state-wide advocacy initiatives, and collaborative funding opportunities for equitable and just community leadership.
In Gerry’s current role as the Director of Filmmaker Services and Impact, he leads the design, implementation, and evaluation of services and funding Working Films provides to filmmakers. He currently serves on the Advisory Committee for the Global Impact Producers and the Steering Committee for the Asian American Documentary Network (A-DOC) and Happy Family Night Market.
In his spare time, you can find Gerry spending time with his dog and cat, Diogo and Esteban, biking around the city, and basking in his year-round Leo vibes.
In Gerry’s current role as the Director of Filmmaker Services and Impact, he leads the design, implementation, and evaluation of services and funding Working Films provides to filmmakers. He currently serves on the Advisory Committee for the Global Impact Producers and the Steering Committee for the Asian American Documentary Network (A-DOC) and Happy Family Night Market.
In his spare time, you can find Gerry spending time with his dog and cat, Diogo and Esteban, biking around the city, and basking in his year-round Leo vibes.
Mara Henderson
Impact Coordinator
Mara Henderson
Mara Henderson (pronoun: she) joined Working Films in 2023 as an Impact Coordinator. She holds a B.A in African American Studies and a B.A in Environmental Policy and Decision Making from the University of Puget Sound. Previously, Mara has worked in documentary production and post production, at an arts institution and international network focused on climate justice and on political campaigns at the state level. Mara’s work is dedicated to fostering curiosity and instilling hope for a more just and liberated future through organizing and creative storytelling.
Mara, born in Minnesota, is currently based in Portland, OR where she spends her time exploring green spaces, researching local history, plotting with her neighborhood climate group, and getting sticky with paper collage.
Mara, born in Minnesota, is currently based in Portland, OR where she spends her time exploring green spaces, researching local history, plotting with her neighborhood climate group, and getting sticky with paper collage.
Molly Murphy
Director of Partnerships and Innovation
Molly Murphy
Molly Murphy (pronoun: she) joined Working Films in 2001 and now serves as Director of Partnerships and Innovation. In her twenty year tenure, she has planned and directed impact campaigns, facilitated partnerships and coordinated coalitions centered around the use of documentaries to catalyze progress on the biggest issues of our time. Molly has designed and led dozens of trainings, for filmmakers and changemakers, focused on leveraging the power of film to make an impact. In her current role, she is responsible for Working Films’ external relations, forging connections in the documentary film industry and within social justice movements, and lifting up Working Films’ approach and learnings, while building with allies and accomplices to increase our collective impact. Molly co-leads Working Films’ fundraising efforts and is part of the team of directors responsible for organizational and programmatic strategy and sustainability.
Molly is part of the Documentary Accountability Working Group and on the steering committee of the Global Impact Producers Assembly. She also serves on the board of Justice for My Sister (JFMS), a collective that trains women of color, non-binary youth, and foster youth with a culturally-relevant and trauma-informed approach to tell stories through a gender equity and racial justice lens.
In her spare time, you can find her listening and dancing to music, gardening and staring at nature, playing basketball, and spending time with her family on the coast of North Carolina.
Molly is part of the Documentary Accountability Working Group and on the steering committee of the Global Impact Producers Assembly. She also serves on the board of Justice for My Sister (JFMS), a collective that trains women of color, non-binary youth, and foster youth with a culturally-relevant and trauma-informed approach to tell stories through a gender equity and racial justice lens.
In her spare time, you can find her listening and dancing to music, gardening and staring at nature, playing basketball, and spending time with her family on the coast of North Carolina.
Natalie Bullock Brown
Director of DAWG
Natalie Bullock Brown
Natalie Bullock Brown is the Director of the Documentary Accountability Working Group. She is an award-winning and Emmy-nominated producer, and a Teaching Assistant Professor in Interdisciplinary Studies at North Carolina State University. She is director/producer of baartman, beyoncé & me, a documentary work-in-progress that explores the impact of the beauty standard on Black women and girls; and is a producer on award-winning filmmaker Byron Hurt’s upcoming PBS documentary, HAZING. Natalie served as StoryShift Strategist Working Films from 2017 until 2020, guiding the organization’s work in ethical and accountable documentary storytelling. Natalie is a regular contributor to #BackChannel, a monthly segment on the North Carolina public radio program, The State of Things. For more than a decade, Natalie was an assistant professor of film and broadcast media in the Department of Media & Communications at Saint Augustine's University in Raleigh. She also served 12 years as co-host of Black Issues Forum, a public affairs program on UNC-TV, North Carolina’s statewide public television network. Natalie was also an associate producer on documentary filmmaker Ken Burns’ 10-part PBS series, Jazz. She holds a Master of Fine Arts in Film Production from Howard University, and a Bachelor of Arts in English from Northwestern University. Natalie hails from Chicago, IL and lives in Raleigh, NC.
Puja Mitchell
Organizational and Administrative Coordinator
Puja Mitchell
Puja Mitchell (pronoun: she) joined Working Films at the start of 2023. Before that, she served as the Cultural Director for the Cape Fear Association of India for over a decade which afforded her the opportunity to fundraise for, and become involved with a large variety of organizations. The ones which she gravitated towards most often were the organizations which worked to improve orphanages for abandoned and trafficked children, and those that offered programs to help women achieve economic independence.
As time went on she felt that it was important to give the next generation a platform through which they could make effective contributions, and cofounded a youth group within the same Association. She helped guide the youth group through planning and executing numerous events over a decade which served to benefit several local food centric charities in NC.
In addition to her volunteer efforts she has held a variety of administrative and director positions which helped her hone organizational and logistical skills that she is now excited to share with Working Films!
In her downtime you can find her spending time with her three (almost adult children!) before they fly the nest, as well as planning fun events that bring her friends, and family together!
As time went on she felt that it was important to give the next generation a platform through which they could make effective contributions, and cofounded a youth group within the same Association. She helped guide the youth group through planning and executing numerous events over a decade which served to benefit several local food centric charities in NC.
In addition to her volunteer efforts she has held a variety of administrative and director positions which helped her hone organizational and logistical skills that she is now excited to share with Working Films!
In her downtime you can find her spending time with her three (almost adult children!) before they fly the nest, as well as planning fun events that bring her friends, and family together!
Stephanie Avery Taylor
Director of Finance and Organizational Resilience
Stephanie Avery Taylor
Stephanie Avery Taylor (pronoun: she) came to Working Films in 2018. Her unique, extensive background in racial justice programming, environmental education and finance management allows her to support our work and mission in multiple ways. Stephanie oversees the fiscal and administrative responsibilities of the org, works with our team to uphold organizational goals of dismantling racism, and coordinates local social justice ally’s participation in our annual Works-in-Progress Lab.
In 2009, Stephanie was an honoree of the National Women's History Project for the Youth Environmental Education and Eco-Camps she created, which inspire children to become good stewards and protectors of the land. Stephanie has served as a board member of the Cucalorus Film Festival and co-hosted the community Racial Rewind film series which focused on racial tensions throughout history and sparked involvement from participants to be active members of society for improved race relations. As the former Director of Racial Justice at the YWCA she worked with other local organizers to bring an inventive education series, The History of Wilmington in Black and White to the area. Daughter of an Issei and raised in NC. Studied Philosophy & World Religions with a focus on Asian Studies at Coastal Carolina University and UNCW.
On occasion, you will find her teaching kids cooking classes centered on introducing cultures through food. In her downtime, she enjoys playing music, cooking, hiking, exploring and spending time with family.
In 2009, Stephanie was an honoree of the National Women's History Project for the Youth Environmental Education and Eco-Camps she created, which inspire children to become good stewards and protectors of the land. Stephanie has served as a board member of the Cucalorus Film Festival and co-hosted the community Racial Rewind film series which focused on racial tensions throughout history and sparked involvement from participants to be active members of society for improved race relations. As the former Director of Racial Justice at the YWCA she worked with other local organizers to bring an inventive education series, The History of Wilmington in Black and White to the area. Daughter of an Issei and raised in NC. Studied Philosophy & World Religions with a focus on Asian Studies at Coastal Carolina University and UNCW.
On occasion, you will find her teaching kids cooking classes centered on introducing cultures through food. In her downtime, she enjoys playing music, cooking, hiking, exploring and spending time with family.
BOARD
Felix Endara
Chair
Felix Endara
Ecuadorian filmmaker Felix Endara claims a long and consistent track record of producing innovative, thought-provoking media that has screened at prestigious film festivals such as Berlinale, DOC NYC, and Mill Valley. Topics he has covered have ranged from the preservation of LGBT historical spaces to portrayals of activists who challenge prejudice and violence. His work as an independent programmer and arts administrator draw on his values to champion art that functions as a catalyst for social change.
Kim Pevia
Vice Chair
Kim Pevia
Kim Pevia is an experienced life strategist, an engaging keynote speaker, and a skilled workshop facilitator. Her workshops are experiential and transformational. She specializes in identifying the issues that keep us stuck and addresses them by developing a personalized toolbox to help us hurdle over them. Her favorite work is done in circles. Her favorite topics include Emotional intelligence, Gifts of Conflict, Impacts of Historical Trauma, Cultural Healing, Innocuous Nature of Fear, most of which she includes in Race, Equity and Inclusion work. Born and educated in Baltimore, MD she currently lives in Robeson County, NC where her roots run deep as a member of the Lumbee Tribe.
She serves on many local, state and national boards that support community activism and local economy through arts, food, culture and tourism. She recently served as Chair of the Board of Alternate Roots. In 2015 she founded Artist Market-Pembroke, providing retail opportunities for local and regional artists in southeast North Carolina. Her love of community and films is expressed as the curator of the annual Lumbee Film Festival (along with Cucalorus) and the quarterly CommUnity Cinema (in partnership with Working Films). She expresses her creativity as a writer and workshop/training facilitator.
She serves on many local, state and national boards that support community activism and local economy through arts, food, culture and tourism. She recently served as Chair of the Board of Alternate Roots. In 2015 she founded Artist Market-Pembroke, providing retail opportunities for local and regional artists in southeast North Carolina. Her love of community and films is expressed as the curator of the annual Lumbee Film Festival (along with Cucalorus) and the quarterly CommUnity Cinema (in partnership with Working Films). She expresses her creativity as a writer and workshop/training facilitator.
Angel Dozier
Treasurer
Angel Dozier
Angel Iset Dozier is an activist, creative, educator and founder of Be Connected Durham, a community initiative connecting audiences, addressing disparities, fostering equity, and bridging access gaps through the arts, culture, music, and politics. She is a hip hop film and music lover and has used yoga, dance, literature, and golden era hip hop, specifically, to drive her work as a world languages instructor and curriculum specialist within public, private and Montessori school systems.
Through Be Connected Durham, Angel has emerged as an urban visionary, championing community initiatives that connect organizations like Duke Performances, Carolina Performing Arts, Airolina Young Aviators, SheaMoisture, and more, to their authentically diverse target audiences. Each of Be Connected Durham’s projects serve as campaigns to affect positive change for marginalized, yet highly capable and valuable contributors to our society.
Through Be Connected Durham, Angel has emerged as an urban visionary, championing community initiatives that connect organizations like Duke Performances, Carolina Performing Arts, Airolina Young Aviators, SheaMoisture, and more, to their authentically diverse target audiences. Each of Be Connected Durham’s projects serve as campaigns to affect positive change for marginalized, yet highly capable and valuable contributors to our society.
Adamu Chan
Board Member
Adamu Chan
Adamu Chan is a filmmaker, writer, and community organizer from the Bay Area who was incarcerated at San Quentin State Prison during one of the largest COVID-19 outbreaks in the country. He produced numerous short films while incarcerated, using his vantage point and experience as an incarcerated person as a lens to focus the viewer’s gaze on issues related to social justice. In 2021, he was a recipient of the "Docs in Action Film Fund" through Working Films, and was tapped to produce and direct his film What These Walls Won't Hold, which won Best Documentary Mid-Length at the 2023 San Francisco international Film Festival. In 2022, Adamu directed a documentary short for the doc-series Bridge Builders, partnering with ITVS/Independent Lens, about a community member working at the intersections of immigration, incarceration, and gender justice. He is also a 2022 Stanford University Center for Comparative Studies in Race and Ethnicity Mellon Arts Fellow, and a 2023 Rockwood Institute Documentary Leaders Fellow. Adamu draws inspiration and energy from the voices of those directly impacted, and seeks to empower them to reshape the narratives that have been created about them through film.
Ann Bennett
Board Member
Ann Bennett
Ann Bennett is an Emmy-nominated documentary-filmmaker, multimedia-producer, and teaching-artist who has devoted her career to telling diverse stories through film, television and interactive projects. She has produced documentaries for the PBS series American Experience, Independent Lens and America ReFramed many of which have premiered at the Sundance Film Festival including; Through a Lens Darkly: Black Photographers and the Emergence of a People, and the multiplatform community-engagement initiative Digital-Diaspora-Family-Reunion. Bennett is a graduate of Columbia Journalism School and Harvard College and she has won fellowships with the Sundance Producer Lab, Impact Partners, Laundromat Project and Culture Push’s Black Utopian Practice.
Betty Yu
Board Member
Betty Yu
Betty Yu is a multimedia artist, filmmaker, educator, and activist born and raised in NYC to Chinese immigrant parents. Ms. Yu integrates documentary film, new media platforms, and community-infused approaches into her practice, and she is a co-founder Chinatown Art Brigade, a cultural collective using art to advance anti-gentrification organizing. Ms. Yu has been awarded artist residencies and Fellowships with institutions such as the Laundromat Project, International Studio & Curatorial Program, the Intercultural Leadership Institute, and SPACE at Ryder Farm. Her work has been presented at the Directors Guild of America, Brooklyn Museum, Margaret Mead Film and Video Festival, Tribeca Film Festival's Interactive Showcase, The Eastman Kodak Museum, and the 2019 BRIC Biennial; and in 2018 she had a solo exhibition at Open Source Gallery in New York. In 2017 Ms. Yu won the Aronson Journalism for Social Justice Award for her film Three Tours about U.S. veterans returning home from war in Iraq, and their journey to overcome PTSD. She holds a BFA from NYU's Tisch School of the Arts and a MFA from Hunter College, and currently teaches video, social practice, art and activism at Pratt Institute, John Jay College, and The New School, in addition to 20 her years of community, media justice, and labor organizing work.
Caty Borum Chattoo
Board Member
Caty Borum Chatoo
Caty Borum Chattoo is Director of the Center for Media & Social Impact (CMSI), an innovation lab and research center at American University that creates, showcases and studies media designed for social change; and Executive in Residence at the American University School of Communication in Washington, D.C. She is an award-winning communication strategist and documentary film/TV producer working at the intersection of social-change communication, research, documentary and entertainment storytelling.
Borum Chattoo’s social-change storytelling, strategy and research work has been featured in USA Today, NPR, Businessweek, The Huffington Post, and PBS MediaShift, and her social justice documentaries have aired internationally and nationally on Netflix, the Sundance Channel, Pivot, NDTV (India), PBS World, Link TV, KCET, DirectTV and theatrically. She has produced two documentary feature films (Wal-Mart: The High Cost of Low Price and The After Party), a TV documentary and transmedia series (Stand Up Planet, starring Hasan Minhaj from “The Daily Show”), a multi-part documentary TV series focused on global poverty (ViewChange), a seven-part environmental justice documentary TV series (Sierra Club Chronicles), and PSA campaigns designed for social change on issues ranging from global poverty to climate change to HIV. At CMSI, her current research, creative and strategy work focuses on audience effects of documentary storytelling, nonfiction industry race and gender diversity, audience effects of entertainment storytelling across platforms, and the role of comedy in social justice.
Previously, she was senior vice president in the social marketing practice group at FleishmanHillard International Communications in Washington, D.C., focused on social-change programs. In Los Angeles, she was a longtime collaborator with legendary TV producer and philanthropist/activist Norman Lear as a founding director of Declare Yourself, a national youth civic engagement organization; and special projects director & senior producer at the USC Norman Lear Center, a research and public policy center that examines the social impact of entertainment on society. She also served as the program officer in the Kaiser Family Foundation’s Entertainment Media & Public Health program; project director at the Center for Media Education; and fellow in civic journalism at The Philadelphia Inquirer.
Borum Chattoo holds an M.A. in Communication from the University of Pennsylvania (The Annenberg School for Communication), and a B.A. in Communication Studies (summa cum laude, In Honors, Phi Beta Kappa) from Virginia Tech.
Borum Chattoo’s social-change storytelling, strategy and research work has been featured in USA Today, NPR, Businessweek, The Huffington Post, and PBS MediaShift, and her social justice documentaries have aired internationally and nationally on Netflix, the Sundance Channel, Pivot, NDTV (India), PBS World, Link TV, KCET, DirectTV and theatrically. She has produced two documentary feature films (Wal-Mart: The High Cost of Low Price and The After Party), a TV documentary and transmedia series (Stand Up Planet, starring Hasan Minhaj from “The Daily Show”), a multi-part documentary TV series focused on global poverty (ViewChange), a seven-part environmental justice documentary TV series (Sierra Club Chronicles), and PSA campaigns designed for social change on issues ranging from global poverty to climate change to HIV. At CMSI, her current research, creative and strategy work focuses on audience effects of documentary storytelling, nonfiction industry race and gender diversity, audience effects of entertainment storytelling across platforms, and the role of comedy in social justice.
Previously, she was senior vice president in the social marketing practice group at FleishmanHillard International Communications in Washington, D.C., focused on social-change programs. In Los Angeles, she was a longtime collaborator with legendary TV producer and philanthropist/activist Norman Lear as a founding director of Declare Yourself, a national youth civic engagement organization; and special projects director & senior producer at the USC Norman Lear Center, a research and public policy center that examines the social impact of entertainment on society. She also served as the program officer in the Kaiser Family Foundation’s Entertainment Media & Public Health program; project director at the Center for Media Education; and fellow in civic journalism at The Philadelphia Inquirer.
Borum Chattoo holds an M.A. in Communication from the University of Pennsylvania (The Annenberg School for Communication), and a B.A. in Communication Studies (summa cum laude, In Honors, Phi Beta Kappa) from Virginia Tech.
Courtney Symone Staton
Board Member
Courtney Symone Staton
Courtney Symone Staton, from Greenville, North Carolina, is a Black organizer, poet, and filmmaker dedicated to creating space for collective liberation through the sharing of stories. Her debut documentary, a participatory short Silence Sam, about the systemic silencing of activism during a movement to remove a Confederate monument from campus, premiered at BlackStar Film Festival in 2019, and since then has had impact-driven screenings across the South. Courtney believes deeply in reclaiming Black history, and uplifting stories of Black changemakers whose legacy we live in in the present, creating and leading Youth FX’s History Reclamation Project, a program reconnecting local high school students to Albany’s legacy of activism through participatory documentary filmmaking. A NeXt Doc fellow and impact producer of The Neutral Ground, Courtney works to drive viewers past the point of empathy to the point of healing and action.
Ellen Bollinger
Board Member
Ellen Bollinger
Ellen Bollinger consults for reality-respecting news organizations to drive advertising revenue, writes marketing materials and, with her husband, sells advertising and produces events for a cannabis news organization, based in California.
Undergraduate work at New College in Sarasota, FL resulted in a degree in Psychological Anthropology with a Theater Minor. An entry level job with a theatrical PR firm in the Sardi’s building on West 44th Street gave her a good understanding of ‘earned’ media and a permanent love for the theater and media crowd who convened at the second-floor bar. Those contacts soon resulted in her sales position with The NYT where, over the span of a decade, she went on to win two Publishers Award for new business development and MVP trophies for their Co-Ed softball championship team.
During sixteen years as VP Advertising with The Nation magazine, Ellen worked with documentary filmmakers and distributors to build awareness and attendance for their films, often attending Sundance, Woodstock Film Festival and Docs NYC.
Additionally, Ellen serves on the Board of a Friends Group of the Sandy Hook Unit of Gateway National Recreation Area to support the National Park Service in conservation of endangered species, environmental protections and cultural awareness of historic sites in northeastern Monmouth County, NJ as well as Communications Director of a local chapter of Indivisible.
Her husband is a writer and creator of healthy cocktails and their son works for AmeriCorps in New Orleans on coastal restoration and sustainable flora and fauna.
Undergraduate work at New College in Sarasota, FL resulted in a degree in Psychological Anthropology with a Theater Minor. An entry level job with a theatrical PR firm in the Sardi’s building on West 44th Street gave her a good understanding of ‘earned’ media and a permanent love for the theater and media crowd who convened at the second-floor bar. Those contacts soon resulted in her sales position with The NYT where, over the span of a decade, she went on to win two Publishers Award for new business development and MVP trophies for their Co-Ed softball championship team.
During sixteen years as VP Advertising with The Nation magazine, Ellen worked with documentary filmmakers and distributors to build awareness and attendance for their films, often attending Sundance, Woodstock Film Festival and Docs NYC.
Additionally, Ellen serves on the Board of a Friends Group of the Sandy Hook Unit of Gateway National Recreation Area to support the National Park Service in conservation of endangered species, environmental protections and cultural awareness of historic sites in northeastern Monmouth County, NJ as well as Communications Director of a local chapter of Indivisible.
Her husband is a writer and creator of healthy cocktails and their son works for AmeriCorps in New Orleans on coastal restoration and sustainable flora and fauna.
Malaika Mose
Board Member
Malaika Mose
Malaika (Paquiot) Mose splits her times between her 2 loves: film and tech. To this end, she is a Digital Strategist with ARRAY, formerly known as African American Film Festival Releasing Movement (AFFRM), founded by the director of the Oscar-nominated film SELMA: Ava DuVernay. Malaika's led a group of 60 volunteers in the digital promotion of 13 out of ARRAY's 14 releases and will be working on their 15th acquisition: NAMOUR.
Vice-President of Product Management at a Wilmington, NC-based cloud banking startup, she has been in the software industry for 14 years during which time she has won the National Women of Color Technology Award.
She merges the tech and film worlds by writing on online film distribution and crowdfunding and has done so for Focal Press' Mastering Film blog, Filmmaker Magazine's blog and her own blog Beyond the Box Office. Up since 2009, it focuses on innovative ways for filmmakers to distribute their films, including set-top boxes, streaming services and mobile apps.
An authority on online film distribution, Malaika has been invited to cover industry events like National Association of Broadcasters, and has covered events like NewTeeVee Live, The Conversation, IFP and Power to the Pixel’s CrossMedia Forum NYC, DIY Days and SXSW. When last she checked, she was listed 84 times on Twitter in such categories as filmmaking, film-video, IPTV, new movie distribution and her personal favorite: Awesomocity.
She is currently a member of the Sundance Institute and a former board member of the San Jose Multicultural Artists Guild.
Having got to know Working Films co-founder Robert West briefly in the year before his diagnosis, it is her great honor to lend her skills to advancing the mission of the organization through membership on its board.
Vice-President of Product Management at a Wilmington, NC-based cloud banking startup, she has been in the software industry for 14 years during which time she has won the National Women of Color Technology Award.
She merges the tech and film worlds by writing on online film distribution and crowdfunding and has done so for Focal Press' Mastering Film blog, Filmmaker Magazine's blog and her own blog Beyond the Box Office. Up since 2009, it focuses on innovative ways for filmmakers to distribute their films, including set-top boxes, streaming services and mobile apps.
An authority on online film distribution, Malaika has been invited to cover industry events like National Association of Broadcasters, and has covered events like NewTeeVee Live, The Conversation, IFP and Power to the Pixel’s CrossMedia Forum NYC, DIY Days and SXSW. When last she checked, she was listed 84 times on Twitter in such categories as filmmaking, film-video, IPTV, new movie distribution and her personal favorite: Awesomocity.
She is currently a member of the Sundance Institute and a former board member of the San Jose Multicultural Artists Guild.
Having got to know Working Films co-founder Robert West briefly in the year before his diagnosis, it is her great honor to lend her skills to advancing the mission of the organization through membership on its board.
Paige Wood
Board Member
Paige Wood
Paige Wood is an award-winning filmmaker, screenwriter, producer, and creative consultant. Born in Detroit, Paige has produced and/or co-written a number of critically-acclaimed documentary and narrative films since the start of her freelance career in 2018. Currently, Paige serves as the Supervising Producer for the Rise-Home Stories Project, which features over five narrative-shifting multimedia projects supported by The Ford Foundation, in addition to serving as an adjunct instructor at Wayne State University. Paige is a 2020 Kresge Artist Fellow, an alumni of Firelight Media's 2018-2019 Impact Producer Cohort, as well as a 2019 Sundance Institute | Knight Foundation Program fellow.
Tracy Rector
Board Member
Tracy Rector
Tracy Rector is a filmmaker, curator, community organizer, and programmer. Currently, she is serving as the Managing Director of Storytelling at Nia Tero, a non-profit committed to supporting Indigenous governance and guardianship. She has directed and produced over 400 shorts and other films and is in production on her sixth feature documentary Outta the Muck with support from ITVS. As an impact producer, Tracy served on the team for the Emmy Award winning feature documentary Dawnland, which premiered on Independent Lens’ 2018/19 season to 2.1 million viewers in its opening week. Her work has also been featured in National Geographic, imagineNATIVE Film + Media Arts Festival, Cannes Film Festival, Toronto International Film Festival, and the Smithsonian’s Museum of the American Indian.
Tracy is the co-founder of Longhouse Media, which was a non-profit focused on galvanizing Indigenous and local communities through film production. From 2005 to 2021, they worked with over 50 tribal nations and helped train 3,000 young people. Tracy has received the National Association for Media Literacy Education Award, 2016 Stranger Genius Award, and the Horace Mann Award for her work in utilizing media for social justice. She is a Firelight Media Fellow, WGBH Producer Fellow, Sundance Institute Lab Fellow, and Tribeca All Access Grantee. Tracy’s first major museum installation opened in June 2018 at the Seattle Art Museum. Tracy serves as a Mize Foundation board member, senior programmer at the Seattle International Film Festival, and recently completed her second term as a Seattle Arts Commissioner. She is a mother of two young men.
Tracy is the co-founder of Longhouse Media, which was a non-profit focused on galvanizing Indigenous and local communities through film production. From 2005 to 2021, they worked with over 50 tribal nations and helped train 3,000 young people. Tracy has received the National Association for Media Literacy Education Award, 2016 Stranger Genius Award, and the Horace Mann Award for her work in utilizing media for social justice. She is a Firelight Media Fellow, WGBH Producer Fellow, Sundance Institute Lab Fellow, and Tribeca All Access Grantee. Tracy’s first major museum installation opened in June 2018 at the Seattle Art Museum. Tracy serves as a Mize Foundation board member, senior programmer at the Seattle International Film Festival, and recently completed her second term as a Seattle Arts Commissioner. She is a mother of two young men.