By Lewis Beale StarNews Correspondent Robert West was working as a film programmer at Charlotte’s Mint Museum when he became increasingly interested in documentaries with a social context – films about race, health care, women’s and gay rights – because “they seemed to be the most powerful stories. I would watch 200 people in a room be collectively moved by a story.” But West noticed something else. After the lights went up, and the q&a session with the filmmaker began, the first question often would be “What can I do?”…
Reposted from Isthmus: The Daily Page By David Medaris Tuesday 10/27/2009 Gregg Mitman thought Tales from Planet Earth would be a one-shot deal. The UW-Madison history of science professor and interim director of the Nelson Institute for Environmental Studies was a principal organizer of the 2007 environmental film festival. “Opening night, there was a line two blocks long waiting to get into the Orpheum,” he remembers. He had anticipated 500 people might show up that first night. Instead, more than twice that number turned out. By the end of the…
Reposted from Chicken & Egg Picture’s Blog By Natalie Difford Wednesday 10/21/2009 Two days of intensive workshops, sharing and, ultimately, caring for one another’s projects at the REAL GIRLS REEL CHANGE retreat made for a riveting final day at the 92Y Tribeca. Here, the six filmmakers were given opportunity to share and “pitch” their projects to interested nonprofit organizations and funders invited by Working Films. Stephanie Wang-Breal (Wo Ai Ni Mommy) takes us through the day: In the morning, each of the six filmmakers were given 10 minutes to present…
Reposted from Chicken & Egg Picture’s Blog By Natalie Difford Thursday 10/22/2009 There’s something stirring here in Chappaqua on day two of REAL GIRLS REEL CHANGE as six filmmakers begin to move beyond the brainstorming sessions we held yesterday in order to create some very concrete, specific asks to pose to potential partners on the final day of our 3 day workshop tomorrow. When asked how their approach had evolved thus far, the Seneca Falls team exclaimed: “you can outreach all you want but I realized that the people you…
Will you go No Impact for a week? Come on, it’s only a week. Huffington Post has partnered with the No Impact Project to bring No Impact Week to their readers on October 18th. This summer, Working Films hosted a strategy summit for No Impact Man in preparation for Colin’s highly anticipated book, award winning blog, and companion documentary about his family’s year long experiment in sustainability. The summit brought together the creative energies of the No Impact Project with leading environmental organizations such as 350.org, 1Sky, Alliance for Climate…
I was invited to be on the jury for the Matter Documentary Award at the Branchage Jersey International Film Festival this past weekend. (That’s the Jersey that is a British Crown Dependency off the coast of Normandy, France – not New Jersey in the U.S.) The Matter Award goes to the “best socially conscious” documentary film in the fest. It includes £2000 to the filmmaker, plus £1,000 to a charity of the winner’s choice. The nominees were quite extraordinary, including Burma VJ, The End of the Line, Only When I…
Fundraising for documentary films is never easy. One source filmmakers often overlook are local and statewide funders and arts councils in particular. For our colleagues in North Carolina, here’s a great opportunity. The North Carolina Arts Council offers grants of $10,000 to NC film/video artists through its fellowship program to support the creative development of North Carolina artists and to generate the creation of new work. If you receive a fellowship you may use the grant to: Set aside time to work Pursue projects that further artistic development and support…
Matthew Nisbet discusses the growing influence of documentary film and the various approaches of audience engagement campaigns in his post Recent Research on Impacts of Documentary Film on ScienceBlogs. He offers a preview into the forthcoming issue of a special issue of the journal Mass Communication & Society that he co-edited with American University colleague Patricia Aufderheide. One of the three films discussed includes Working Films’ very own Blue Vinyl audience engagement campaign, where Nisbet and Aufderheide writes: A very different approach was used by Judith Helfand and Dan Gold…
Working Films is proud to announce the films and filmmakers that have been selected for our Real Girls, Reel Change workshop. Real Girls, Reel Change is an innovative new platform that will nurture the work of filmmakers, non-profit organizations, and funders that are focused on supporting the physical, emotional, and social well being of girls and young women. We understand that real impact takes time and strategic use of many types of resources, and we’ve developed Real Girls, Reel Change in order to explore the idea that it takes more…
We are always excited to hear about the development of filmmakers’ audience engagement plans and to see how ideas and energy from residencies have transformed into film campaigns. I recently received an update from Dawn Valadez with Going on 13 that I thought I’d share. From Tweety Bird to Bow Wow, double dutch to chat rooms, Daddy’s girls to first deceptions, watch as Ariana, Isha, Rosie, and Esme let go of childhood and fumble — or sprint — toward an uncertain future. This is puberty and for each of these…
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