The Works-in-Progress Lab (WiP) is a partnership between Cucalorus and Working Films that supports the audience engagement and impact strategies of social issue documentaries being made by Black filmmakers. The week-long residency is a key program of the annual Cucalorus. Five filmmakers receive extensive community feedback during a series of public and private screenings, workshops, and one-on-one consultations with expert mentors. The following documentary films were selected for the 2021 WiP lab: 2021 Works-in-Progress Lab Participants Little Sallie Walker by Marta Effinger-Crichlow Play is a lifeline for Black girls across the…
The Works-in-Progress Lab (WiP) is a partnership between Cucalorus and Working Films that supports the audience engagement and impact strategies of social issue documentaries being made by Black filmmakers. The week-long virtual residency is a key program of the annual Cucalorus. Five filmmakers receive extensive community feedback during a series of public and private screenings, workshops, and one-on-one consultations with expert mentors. We’re thrilled to announce that the following documentary films have been selected for the 2020 WiP lab: 17 Days directed by and about Christine Varisse, is a dissection…
United for a Fair Economy and Working Films are looking for short and feature length films that delve into the story of the rising income inequality, as told through the lens of Race. Media should touch on or complement the topics that United for a Fair Economy has focused on over the last 10 years, including financial exclusion, housing, healthcare, tax policy, lack of employment, voting rights, government austerity/cuts, foreclosure, disinvestment and others. We want to pique the interest of audiences, spur discussion, and generate action to address these critical…
With extreme energy disasters like the West Virginia chemical leak and the exploding tar sands trains fresh on people’s minds, many of us are searching for ways to ensure the safety and health of our communities. The national television broadcast of Come Hell or High Water: The Battle for Turkey Creek on April 29th offers an opportunity for you to spark discussion and action among your friends and neighbors about how to forge a sustainable and just future. Come Hell or High Water tells the story of a Gulf Coast…
Reel Power collaborating film Come Hell or High Water: The Battle for Turkey Creek will host it’s D.C. premiere at the Environmental Film Festival in the Nation’s Capital. The film will be followed by a panel discussion with the filmmaker, the film’s protagonist, Derrick Evans, and special guests Brentin Mock, regular Grist contributor; Reilly Morse, president of the Mississippi Center for Justice; and Leslie Fields, national environmental justice director at the Sierra Club. The discussion will focus on social and environmental justice challenges on the Gulf Coast and will include…
Working Films’ home state of North Carolina gained national attention this year for its Moral Monday protests, when thousands gathered at the capitol building every Monday from April through July to protest the regressive actions of the state legislature. From cuts to unemployment insurance, to tax cuts for the state’s wealthiest citizens, loosening of environmental regulations, to suppressing the right to vote – a multitude of harsh new policies are threatening the social safety net, education, the economy, voting access, women’s health, and the environment. We’ve responded with a plan to…
Things are heating up at the Working Films’ firehouse this summer – literally, the heat index has hovered around 100 degrees the past month. I recently arrived to Wilmington in June as a 2011 George Stoney Fellow from Ithaca College in Ithaca, New York. I’m really excited and passionate about my work so far to help racial justice advocates across the country use the new Two Towns of Jasper Education and Outreach DVD. We’ve started partnering with an array of organizations so far, each one looking to host their own…
After starting in festivals in Europe and the US, Our School finally had its premiere in Romania – a homecoming of sorts for the film and an event that we have been anticipating for almost six years. We shot in a small town in Transylvania, a very real place in Northern Romania. Our intention was to begin to understand, and hopefully improve, race relations between majority Romanians and the Roma ethnic minority by showing under a magnifying glass the story of three spirited Roma children involved in a school integration…
The Channel 4 BRITDOC Foundation, in partnership with the Sundance Institute Documentary Film Program, is bringing the Good Pitch to NYC on May 20th 2011. The pitch will be hosted at the Ford Foundation as they join the Tides Foundation, the Fledgling Fund, Chicken & Egg Pictures, Impact Partners, Crosscurrents Foundation and a number of anonymous donors as supporters. Working Films will continue to provide campaign development for the invited filmmakers. Eight documentary projects were selected out of hundreds of applications. The selected filmmakers and their projects are: Gideon’s Army…
We may not be holding a rally like Jon Stewart did, but we do hope that our newly revised curriculum New Faces: Latinos in North Carolina will bring more sanity to conversations about culture, identity, immigration and globalization in classrooms and communities across North Carolina. With laws like the one passed this spring in Arizona and politicians running ads saying things like “This is Alabama; we speak English. If you want to live here, learn it,” it’s clear that anti-immigrant sentiment in the United States certainly isn’t diminishing. There is…
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