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[caption id="" align="alignnone" width="497" caption="Reel Engagement participants and facilitators, from left to right: Robbie Gemmel, Josh Levin, Rennifer Redfearn, Lora Smith, Kristin Henry, Taira Akbar, Deb Anderson, Josh Fox, Emily Verellen, Judith Helfand, Jen Gilomen, Amanda Berger, Natalie Difford, Peter Bull. Photo courtesy of Peter Bull."][/caption] During Reel Engagement for the Energy and Natural Resource Revolution, we spent a week drilling down deep (excuse the pun) into audience engagement plans with filmmakers, coordinators, and non-profit organizations on energy and natural resource extraction issues. We’ll be updating you shortly on our website with exciting collaboration plans. Below are photos from the retreat.

This edition of the Good Pitch takes place at Silverdocs, near Washington DC. It brings together inspiring social-purpose film projects and a group of expert participants from charities, foundations, brands and media to form powerful alliances around groundbreaking films. THE LINEUP We are delighted to announce that we have selected the lineup for the Good Pitch @ Silverdocs. The 8 filmmakers are Victor Buhler (A Whole Lott More), Macky Alston (The Truth Will Set You Free), Jon Shenk (Higher Ground), Angad Bhalla (The House That Herman Built), Dara Kell & Christopher Nizza (Dear Mandela), Steve James & Alex Kotlowitz (The Interrupters), Danfung Dennis (To Hell and Back Again), and Annika Gustafson & Phil Jandaly ($H*T). Selected from 150 excellent submissions, the eight projects cover an exciting range of subjects including war & conflict, disability employment, LGBT equality, incarceration and solitary confinement, violence prevention and mediation, climate change and green energy. These issues are explored through stories that play out the world over - in the USA, Afghanistan, the Maldives, South Africa and Kenya. More on the projects: A Whole Lott More Dir. Victor Buhler Lott Industries in Ohio, USA employs 1200 workers with developmental disabilities. For decades, the company has built car parts. However, with the decline of the auto industry, Lott Industries finds itself in trouble. The company has twelve months to reinvent itself. A Whole Lott More details the most crucial year in Lott Industries’ history and follows three inspiring workers with disabilities as they join the struggle to hold onto the best job they have ever had. The Truth Will Set You Free Dir. Macky Alston The story of a man whose two defining passions are in great conflict: his love for God and his love for his partner Mark. This film follows Bishop Gene Robinson, the first openly gay partnered bishop in the high church traditions of Christendom, and a host of others who are making history and whose lives hang in the balance of the current church/state battles for LGBT equality. Higher Ground Dir. Jon Shenk His nation of 1,200 low-lying islands is sinking as sea levels rise. Higher Ground is a film about Mohammed Nasheed, President of The Maldives, and his extraordinary role in the global climate war. During his first year in office, we follow as Nasheed breathlessly carries the fight to chambers of power in London, the United Nations, India, and finally to Copenhagen for ten intense days in December, 2009. This drama pits a die-hard activist for human rights – Nasheed himself was imprisoned and tortured as he fought for democracy in the Maldives – against the nasty geopolitical realities of the growing climate debate. The House That Herman Built Dir. Angad Bhalla “What kind of house does a man who has been imprisoned in a six-foot-by-nine-foot cell for over 30 years dream of?” This film captures the remarkable creative journey and friendship of Herman Wallace, one of the Angola 3, and artist Jackie Sumell while examining the injustice of prolonged solitary confinement. Dear Mandela Dirs Dara Kell & Christopher Nizza Dear Mandela chronicles the journey of three young leaders whose communities face mass eviction as South Africa prepares to host the 2010 Soccer World Cup. Enacting a policy eerily reminiscent of apartheid-era repression, the government is attempting to ‘eradicate the slums’ by using armed demolition crews to forcefully remove families from their homes at gunpoint. Dear Mandela tells the story of democratic South Africa’s largest organization of poor people, a non-violent movement to stop the bulldozers that are literally tearing apart lives and communities. From the chaos on the streets to the highest court in the land, this new generation is putting Nelson Mandela’s promise of a ‘better life for all’ to the test. The Interrupters Prod/Dir Steve James Prod/Writer, Alex Kotlowitz The Interrupters tells the remarkable story of a group of men and women in Chicago whose singular mission is to prevent shootings. They’re part of an innovative program run by an infectious disease doctor who views violence through the prism of public health. These men and women, most of them former gang leaders and drug dealers who have been participants in the brutality of the streets, are our guides into the discomfiting and unsettling gunplay in America’s cities. To Hell & Back Again Dir. Danfung Dennis The intensely personal story of Sergeant Harris and Marine battalion Echo Company from the start of the 2009 tour of Afghanistan to their return, the decompression and rehabilitation in the US. A study of exceptional bravery and loss, of friends and family struggling to support the returning warriors. $H*T! Dir. Annika Gustafson $H*T! is an auteur, character-driven film following radical solutions that turn human waste into green energy, and the pioneers who drive them. Filmed in Kenya’s Kibera slum, the film opens up possibilities for a whole new green and clean world and a better future for the world’s 2.6 billion people who lack access to sanitation. From the bottom of the poverty ladder to the heights of power, $H*T! shows a transformation in thinking, where human waste is not a problem - it’s a resource. ABOUT THE GOOD PITCH The Good Pitch is a project of The Channel 4 BRITDOC Foundation in partnership with the Sundance Institute Documentary Film Program. It is made possible by Fledgling Fund, Chicken & Egg Pictures, Tides Foundation, the Hartley Film Foundation and anonymous donors. Campaign development and training for filmmakers provided by Working Films. ABOUT SILVERDOCS AFI-Discovery Channel Silverdocs Documentary Festival is a six-day internationally recognised event that honors excellence in filmmaking, supports the diverse voices and free expression of independent storytellers and celebrates the power of documentary to improve our understanding of the world. Now in its eighth year, the 2010 festival runs June 22–27 at the AFI Silver Theatre and Cultural Center in the Washington, DC area. The 2009 Festival featured 122 films from more than 60 countries and attracted over 27,000 attendees, including the influential audiences of the nation’s capital and media professionals from around the world. The concurrent five-day AFI-Discovery Channel Silverdocs International Documentary Conference presents thought-provoking presentations and engages a diverse group of over 1,000 filmmakers and industry leaders concerned with the future of non-fiction storytelling, production and distribution. For more information, go to http://www.Silverdocs.com.

Join us for an inspiring weekend workshop designed to jump start campaigns for a limited number of excellent social issue documentaries on the 23rd-25th, July 2010. Outcomes include the identification of a range of potential outreach partners – including leading non-profits and social entrepreneurs as well as corporate and branding agencies. The Channel 4 BRITDOC Foundation and Working Films designed this workshop to create effective and strategic outreach campaigns and non-traditional distribution plans – reaching the audiences who need these films. Working Films’ co-founders Robert West and Judith Helfand and their team have masterminded campaigns behind feature docs such as Rory Kennedy's Emmy Award-winning The Ghosts of Abu Ghraib and Helfland's Everything's Cool, resulting in significant shifts in the marketplace, public and political opinion in the US. Working Films' new full-time partnership with Channel 4 BRITDOC Foundation brings this high-level expertise to the UK filmmaking community. The aim of the workshop is to help you: • Develop audience and community engagement strategies • Identify potential strategic partners (i.e. charities, NGOs and brands) • Form an outreach strategy specific to your film • Leverage and extend the life of your film • Make social networking work for you INSURE IMPACT! Each project will leave the Workshop with an outline of activities and proposed partners appropriate for pre-release, release and post-release to give your film a long and effective life. Find out more about the application process and APPLY NOW! Deadline is Monday 28 June, 2010

The Media That Matters Film Festival showcases inspirational short films from young independent filmmakers. This is the tenth year that Media That Matters has brought together a collection of 12 short films - each under 12 minutes - aimed at engaging diverse audiences and inspiring action. Working Films co-founder and executive director, Robert West, will be hosting the Media That Matters UK premiere event with UK staff member Sarah Mosses. The jury-selected collection of films look at a broad range of human rights and social justice issues from the experience of transgender youth to health care in the US, the tyranny of the beauty industry, racial prejudice and the experiences of Guantanamo Bay detainees. A highlight will be a conversation with Omar Deghayes, who is featured in the final film of the evening, Justice Denied: Voices from Guantanamo. This event marks the launch of a year-round programme of screenings, debates and actions in response to the films. The Media That Matters collection will be available on their website. For further details and booking please visit the Frontline Club. It's likely to be a sold out event, so early booking is advised! DENIED USA |12:00| Documentary Directed & Produced by Julie Winokur Simultaneously battling cancer and abandonment by her insurance company, one woman fights for her right to health care. JURY AWARD I'M JUST ANNEKE Canada & USA |11:14| Documentary Directed & Produced by Jonathan Skurnik With the support of family and friends, a 12-year-old experiences the onset of puberty in the fluid space between genders. CHANGEMAKER AWARD I AM SEAN BELL USA |10:36| Documentary Directed & Produced by Stacey Muhammad Young boys reflect on the Sean Bell tragedy, speaking out about their fears and hopes as they approach manhood in a city where the lives of young black men are often cut short. SPEAKING OUT AWARD NO ONE BOTHERED UK & Canada |7:54| Documentary Directed by Josephine Boxwell, Produced by Laurie Nicholls Meet Claire and Darren, and take a tour of the streets they used to call home and the daily ridicule they encountered. EMPOWERMENT AWARD SHADES OF THE BORDER DR, Haiti, & USA |12:00| Documentary Directed & Produced by Patrick Smith One island, two countries, many skin colors. A history of racial prejudice divides the island of Hispaniola. RACIAL DIALOGUE AWARD MY HOTNESS IS PASTED ON YEY! USA |5:37| Experimental, Puppetry Directed & Produced by Gus Andrews What do audiences want-naked truth or flawless beauty? Puppets Weena and Erna expose the trade secrets of an industry chasing after perfection. FAIR USE AWARD DAY JOB USA |6:36| Documentary Directed & Produced by Sara Hopman Day laborers voice their grievances and reflect on the challenges they face as they bide their time in parking lots, hoping that work is around the corner. ECONOMIC JUSTICE AWARD THE LAST TOWN China & USA |7:26| Documentary Directed & Produced by Yan Chun Su What if your hometown ceased to exist? Take one last look at a 2000-year old town before it is flooded by China's Three Gorges Dam project. SUSTAINING TRADITIONS AWARD AQUAFINITO USA |8:18| Documentary Directed & Produced by Annalise Littman Why do consumers ignore our most "green" source of drinking water-the tap? A simple taste test yields eye- opening results. YOUTH SUSTAINABILITY AWARD UNINSURED IN THE MISSISSIPPI DELTA USA |5:17| Documentary Directed & Produced by Katie Falkenberg In one of the most impoverished and uninsured areas in the U.S., the inhabitants of the Mississippi Delta grapple daily with an impossible dilemma: do they put food on the table or life-saving medicine in the cabinet? HUMAN RIGHTS AWARD LESSONS FROM A TAILOR USA |8:23| Documentary Directed by Galen Summer, Produced by Caitlin Dourmashkin Entrepreneur Martin Greenfield's infectious passion and hopeful perspective bring his community and his employees more than just jobs. PERSPECTIVES AWARD JUSTICE DENIED: VOICES FROM GUANTANAMO UK & USA |9:30| Documentary Directed by Joel Engardio, Produced by Joel Engardio & Ateqah Khaki Wrongfully imprisoned and later released, Guantanamo detainees recount their stories as they move on with their lives and chart a course for healing. GLOBAL JUSTICE AWARD

I'm here at the Reel Engagement for the Energy and National Resource Revolution workshop where exciting things are happening. Natalie Difford of Chicken & Egg Pictures and Emily Verellen of the Fledgling Fund have been catching some of the excitement on their blogs, Facebook and Twitter pages. In this video, Emily asks Lora Smith, the Appalachian Regional Coordinator for the fantastic film, Deep Down, what sustains her activism. You can watch and read more here: C&E Blog: http://chickeneggpics.blogspot.com/ C&E Twitter: http://twitter.com/chickeneggpics Fledgling Fund blog: http://www.thefledglingfund.org/blog/

How can filmmakers whose movies touch on similar issues collaborate? How can they not!?!

I’m preparing to spend next week in the Bay Area with some amazing and dedicated filmmakers and audience engagement coordinators. We’ll be figuring out where the overlaps in their campaigns lie and how they can cover more ground together than they could alone. The films chosen for this innovative retreat are Cape Wind, Deep Down, Dirty Business, Gas Land, Split Estate, Sun Come Up, and When Two Worlds Collide. These projects are all focusing on the impact of unchecked natural resource extraction and/or innovative solutions for turning things around before it is too late. You can watch the trailers on our workshop page. 1Sky, 350.org, the Ella Baker Center for Human Rights and MIT Center for Future Civic Media will join us for the first three days helping to ground the stories and themes in the films to the urgent and timely needs of the movement – helping us with the nuances that are crucial to making an impact. On day four, we’ll head to the Brower Center in Berkeley and will be joined by a number of groups central to the energy and natural resource revolution, including Bay Localize, Conservation International, Critical Resistance, Earthworks, Environmental Working Group, Green for All, NRDC, Physicians For Social Responsibility (SF), Post Carbon Institute, Progressive Jewish Alliance, Project Survival Media, Rainforest Action Network, The Redford Center, Sierra Club, Speak Out, The 11th Hour Project, and additional foundation funders and individual donors. At the end of the week we’ll regroup with the filmmakers and audience engagement coordinators to determine the essential next steps to help collaboration flourish. We’ll be sure to post updates along the way here, as well as on our Facebook and Twitter page. If you are with an organization, foundation, or brand and are interested in joining this collaborative in some capacity in the future, contact me at khenry at workingfilms.org.

Huffington Post:

Sen. John McCain (R-AZ)was clear in his campaign ad last week: "Complete the danged fence," he told an Arizona sheriff, who appeared with him in the immigration-themed ad. The fence that McCain was referring to is actually a series of barriers along the U.S.-Mexican border that were approved by congress in 2006. It's also the subject of Rory Kennedy's short film "The Fence (La Barda)." Kennedy's film, shot well before Arizona's new immigration law or McCain's new ad, calls into question the effectiveness and the unintended consequences of the $3 billion fence.

You can read more about McCain and this issue on the Huffington Post and sign up for The Fence updates here.

Huffington Post:

Sen. John McCain (R-AZ)was clear in his campaign ad last week: "Complete the danged fence," he told an Arizona sheriff, who appeared with him in the immigration-themed ad. The fence that McCain was referring to is actually a series of barriers along the U.S.-Mexican border that were approved by congress in 2006. It's also the subject of Rory Kennedy's short film "The Fence (La Barda)." Kennedy's film, shot well before Arizona's new immigration law or McCain's new ad, calls into question the effectiveness and the unintended consequences of the $3 billion fence.

You can read more about McCain and this issue on the Huffington Post and sign up for The Fence updates here.