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by Shannon Rae Gentry Wednesday February 6, 2013 Issues of global importance, race, gender, as well as economic and environmental justice have all been addressed by Working Films, an independent media organization focused on “linking nonfiction film to cutting edge activism.” Founded in 2000 by Robert West and Judith Helfand, Working Films began in West’s home in Charlotte, N.C. and has since been based in Wilmington for more than a decade.  Before starting the organization, West said he wanted to help connect filmmakers, their films and the people who would want to help realize the social, health or environmental change their stories prompted.  “Audience engagement seemed like a real missing piece,” he said. “And that was really the focus of Working Films…” However, last September, West was diagnosed with Glioblastoma Multiforme (GBM), a rare aggressive and terminal brain cancer.  Despite the shock this news brought to the Working Films community, West has been sharing his journey via the Caring Bridge health social networking website and in an interview, Monday, Feb. 4, said he remains positive about his future, as well as the organization’s as he steps down. “My energy, while it has refocused, remains very positive,” he said. “Priorities shift, and even though I love this organization I really thought what’s best for me and for Working Films was to have an exit strategy.” While West has played an intricate role in developing Working Films as a nationally and internationally known organization focused on social change, he said his efforts were not unaided. “I’ve worked with this team for a long time, and we were never that much of a hierarchical organization,” he said.  “I have two strong leaders that have taken the helm, and I have stepped away with no regrets and no real worries that the organization will not survive and remain strong and healthy.” As Working Films has often collaborated at the local level, such as with the Cucalorus Film Festival and its Work-in-Progress program, interim co-directors Anna Lee and Molly Murphy said they want to continue to bring the work they do nationally and internationally into play here in the area.  “We like the idea of rooting in our home state and having more of a presence,” Murphy said on Saturday, Feb. 2. “We actually just submitted a proposal to focus a state by state effort in N.C. around education and work to address climate change.” Lee said they plan to move forward with the Working Films mission with the Reel Engagement Fund and project initiative in honor of West’s work, which focuses on a statewide approach and changes in policy. “We wanted to honor that legacy. He has touched so many people’s lives at Working Films,” Lee said on Feb. 2. “People kept asking what they could do, and we wanted them to be able to channel that and support the organization as it moves forward … the ‘Reel Engagement’ work is going to be the core of the strategy moving forward.” To continue on the path that West has set, using documentaries to make social change by sharing them with educators and communities, Working Films board of directors chair Reggie Shuford said on Friday, Feb. 1, that his primary role right now is supporting this transition as much as he possibly can. “Robert has been such a visionary … and we are absolutely committed to making sure that his vision is achieved,” he said. “The primary things are ensuring fiscal and financial stability of Working Films, as well as making sure that its mission is achieved and the work is continued to be done at such a high level.” Shuford is also the executive director of the American Civil Liberties Union in Pennsylvania. As someone who grew up in Wilmington, Shuford said he is proud of the local organization’s achievements.  “I think it’s a hometown treasure. It has national and international reach [and] it’s been a tremendous ambassador for Wilmington,” Shuford said. Shuford also said that he has absolute confidence in Lee and Murphy, who have developed with Working Films. “I have seen them grow into focused, effective and capable leaders of this organization, and were before this situation occurred,” he said. “I can’t think of two better people at this juncture to assume that role.” To make a tax-deductible donation to the Robert West Reel Engagement Fund or to learn more about Reel Engagement projects at Working Films, visit www.workingfilms.org To stay up-to-date or contact Robert West, visit www.caringbridge.org/visit/robertwest email [email protected]

Timed to the February 4^th PBS Independent Lens rebroadcast of his award-winning documentary As Goes Janesville, Brad Lichtenstein is launching BizVizz, the first mobile iPhone app to make corporate behavior transparent. Just snap a picture of a brand’s logo and a simple graphic screen instantly displays essential facts about America’s largest corporations. Do they pay their taxes? How much money do they get in government subsidies?  To whom do they give their political donations? BizVizz currently has 300 companies and over 900 brands with plans to expand. Filmmaker Brad Lichtenstein says he created the app after filming a company in his movie obtaining taxpayer dollars without even so much as a public hearing. “I watched the democratic process being subverted and felt that we should do something on a grander scale to make corporate behavior more transparent; especially when we’re all called on to do our part during these tough economic times.” The Independent Television Service, funded by the Corporation of Public Broadcasting, backed BizVizz to extend the movie’s impact. Seeking a wider audience for BizVizz, Lichtenstein teamed up with fellow Reel Economy filmmakers, Vicky Bruce and Karin Hayes, whose 2012 Sundance film We’re Not Broke exposes how US multinational companies offshore profits to avoid paying taxes. Together they are working with non-profits including the Tax Justice Network-USA, US PIRG, the F.A.C.T. coalition, and others to expose corporations’ all too often bad behavior. We think BizVizz will appeal to consumers who prefer to “shop their values”, citizens and activists concerned with corporate accountability, and reporters on the economics beat. With this new app, a walk down the shopping aisle can reveal how most brands are owned by only a few companies. Users can discover that Boeing received over $450,000,000 from South Carolina in subsidies to help build their now grounded Dreamliner; that Wells Fargo, recipient of at least $25 billion in bailout funds, paid negative tax; or that the fiscal cliff deal actually extended a tax break that will allow GE to once again file for a refund instead of paying tax in 2013. “This is public information,” says Lichtenstein. “We’re just making it visible.” Watch a demo of the app here:

by Dan Habib, Filmmaker in Residence Institute on Disability at the University of New Hampshire

The shooting in Newtown, Connecticut caused shock and grief across this country that lingers – as it should – into this new year. We may never know what caused Adam Lanza to take those horrific actions. What is possible to determine, based on research, are the educational practices that can help identify and support youth with a variety of emotional and behavioral disabilities. Although his diagnosis is unclear, reports from Newtown indicate that Lanza was isolated, rarely left his home and was clearly experiencing psychological distress. Many students with emotional and behavioral disabilities – which can include depression, anxiety, ADHD, bipolar disorder, post-traumatic stress disorder and many other diagnoses – feel disconnected from their schools and communities. Lanza’s violence is the exception, not the rule. Students with emotional and behavioral disabilities are more likely to be victims of violent crime than perpetrators. There is a far more widespread crisis for youth in the United States with emotional and behavioral disabilities: low rates of graduation and high rates of incarceration. Less than 50 percent of students with emotional and behavioral disabilities graduate from high school, and these students are twice as likely as students with other types of disabilities to live in a halfway house, drug treatment center, or on the street after leaving school.  A University of New Hampshire study found that 73 percent of the incarcerated youth at the Sununu Youth Services Center in Manchester, NH, had a diagnosed disability. Effective school-based interventions can ease the pain of these students, raise graduation rates and help students connect with their community through mentors and peer groups. Unfortunately, many schools still focus primarily on punitive discipline policies like “zero-tolerance,” which emphasizes the use of suspension and expulsion, and neglect to examine the root causes of problem behavior.  Students who are suspended or expelled often drop out of school, which frequently leads to juvenile delinquency, arrests and prison. Zero-tolerance policies do little to improve school safety and disproportionately impact students with emotional and behavioral disabilities as well as students of color. These grim statistics for students with emotional and behavioral disabilities fueled my desire to create a film that could be a resource to help educators, families and mental health professionals better understand and serve children with behavioral and emotional challenges. The film Who Cares About Kelsey? focuses on Somersworth (NH) High School student Kelsey Carroll. When Kelsey entered high school, she was a more likely candidate for the juvenile justice system than graduation. She had a diagnosis of ADHD and carried the emotional scars of homelessness and substance abuse, along with actual scars of self-mutilation. As a freshman, she didn't earn a single academic credit and was suspended for dealing drugs. Many wrote her off as a “problem kid” – destined for drug addiction and jail. During Kelsey’s freshman year (2006), Somersworth High School had one of the lowest graduation rates in the state (nearly 1 in 10 students dropped out), and discipline issues were rampant. That year, the school implemented a proven approach called Positive Behavioral Interventions and Supports (PBIS) to develop a concise outline of the behaviors that were expected of all students, establish clear guidelines for addressing discipline problems and create systems for identifying students that needed more intensive supports. For students like Kelsey who were at the greatest risk of dropping out of school, Somersworth also implemented a youth-directed planning model called RENEW (Rehabilitation for Empowerment, Natural Supports, Education, & Work). The results were dramatic: by 2010, Somersworth High reduced its dropout rate by 75 percent, and behavior problems were down by 65 percent. Who Cares About Kelsey? is the story of Kelsey's transformation from a defiant and disruptive high school student to a motivated and self-confident young woman who is living on her own and attending college. It’s too late to reach Adam Lanza, who serves as a horrific example of a gap in our society’s ability to effectively identify youth in crisis, and intervene with services and supports. But it’s not too late to reach and support more than two million other young people in the United States with emotional and behavioral disabilities. Who Cares About Kelsey? is screening across the country in 2013. For more information about the film and related mini-films, go to www.whocaresaboutkelsey.com. Dan Habib is Filmmaker in Residence at the UNH Institute on Disability and created the Emmy-nominated film “Including Samuel.”

Stephanie Bleyer, a long time friend of Working Films, is an outreach and engagement campaign manager for films such as American Promise, God Loves Uganda, and Escape Fire (Sundance 2012). Stephanie has written a two-part blog post on how to effectively and efficiently raise funds for socially engaged projects. By covering topics from finding your prospects to writing your proposal, she has put together a ton of helpful information for fundraising. Check out the following excerpts below (with links to full story) and be sure to look out for part 3 next month! How to Raise Funds For Your Socially Engaged Project, Part I: Finding Foundations & Philanthropists Finding Prospects ...While I’m creating the master proposal, I assemble a list of 100 fundraising prospects, which I will ultimately pare down. I cast a very wide net to include every philanthropist and foundation investing in the issue area and the art discipline, as well as foundations that are focused on specific geographies, genders or races. The issue funders (e.g., health, education, environment, women’s development, etc.) may not fund art, but they understand the importance of advocacy and communications and are often eager to support creative efforts that can serve as a bullhorn for their cause. There are a number of ways to find prospective funders. Take a look at the annual reports, 990s and sponsorship pages for your partner groups. If your work is closely aligned or if your project will positively impact that partner, their funders may be interested in your project. Then take a look at who sponsors relevant conferences, events and workshops, and who has funded your competition. Spend some time on the funders’ websites and look up their profiles in the Foundation Center‘s online database (you’ll need to join to have access)....(READ MORE) How to Raise Funds for Your Socially Engaged Project, Part 2: Writing the Proposal Writing The Proposal Here are just a few generalities to keep in mind when you start writing:

1. Don’t say it’s urgent. It’s probably not. Unless you’re a few dollars away from curing cancer, no need to use the “now or never” card.
2. For the most part, don’t write in first-person singular. Exceptions include individual fellowship applications.
3. Don’t say that all you want to do is raise awareness. If that’s your goal, don’t ask for engagement funding.
4. Save the art-speak for your next book. If your proposal is so muddled with art-speak that the funder can’t understand what you actually propose to do, you’re not going to get funded.
5. Personalize the proposal. Don’t submit a template. Show them you’ve done your homework and that you know exactly what they fund and why you are a perfect fit for them... (READ MORE)

The line up for the 2013 Sundance Film Festival has been announced and we are so excited to see filmmakers that we’ve worked with on this list! Congratulations to the teams behind American Promise, Citizen Koch and God Loves Uganda. American Promise follows two African-American boys from middle class families as they navigate their way through 12 years at a prestigious New York City Prep school. The film is part of our Reel Education t collaboration, in which nine documentaries about various education issues came together for our residential training in February 2011. Citizen Koch is the latest film by Carl Deal and Tia Lesson (Trouble the Water) that tells a story about money, power and democracy in the aftermath of the US Supreme Court’s decision to strike down limits on corporate political spending. The film was one of six films that attended our Reel Economy residency held in July 2012 in Washington, DC. God Loves Uganda follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow Biblical law. Paige Ruane, the films’ outreach coordinator, attended our Reel Change: Managing Social Issue Film Campaign residency last spring in Washington, DC. At the residency, Paige along with a room full of filmmakers learned how to make strategic plans to get their films and media projects out to the right audiences and form effective partnerships with organizations working on the issues in their film. We are thrilled about each! Be sure to check them out when you’re at Sundance.

Two million young people in the United States that have emotional or behavioral disabilities.  60% of those students are likely to drop out of school. African American students over 3 1⁄2 times more likely to be suspended or expelled than their White peers. These are sobering facts, but there is good news. Many people and organizations from community organizers, to national associations of mental health professionals, to educators are working to change the way schools approach discipline and teaching in order to improve outcomes for all students. And even better, those folks now have a collection of new media resources from the Who Cares About Kelsey? project to help them in their efforts. A few months ago we introduced you toWho Cares About Kelsey?, the project from Dan Habib (creator of Including Samuel). The documentary features Kelsey Carroll.  Kelsey lived with homelessness, self-mutilation, abuse and ADHD.  She was a likely high school dropout — until she encountered an education revolution that’s about empowering, not overpowering, teens with emotional and behavioral disabilities.  The overall project also includes nine mini-films documenting the lives of kids with emotional and behavioral disabilities and shows innovative educational approaches that help these students to succeed. In mid-October I facilitated a strategy summit where two dozen leaders in educational justice, mental health, substance abuse and educational reform worked together to hone the outreach and engagement strategy for the film. Together with Working Films, Dan had laid excellent groundwork for the summit. We came into the meeting with a draft outreach and engagement plan that was crafted through input from several of the organizations that attended the meeting and their allies. Through small group breakout sessions, dialogue and interactive exercises we generated a list of primary objectives for the campaign, honed the list of target audiences, and created key strategies for the campaign that will advance the specific objectives. Importantly these strategies are tied to the existing work of the organizations in attendance. For example, the folks in the room that do policy advocacy work at the national and state level will be the organizations that Dan works with to pursue our legislative advocacy strategies for the film project. This includes possibly producing one additional short form piece of media highlighting alternative, positive approaches to school discipline that could be used by these groups in constituent meetings or policy briefings along with accompanying data. All of us that were in the room together for the WCAK meeting left energized and ready to collaborate. As Dan pursues collaboration with them individually and as a group we will track the impact of the WCAK project media in schools and communities across the country. Look for another update on the project in 2013 right here. In the meantime check out where WCAK is screening or watch short videos from the project at www.whocaresaboutkelsey.com

  It’s that time of the year again! Cucalorus Film Festival 18 will kick off this Thursday and will run throughout the weekend here in Downtown Wilmington. Working Films has partnered again with the folks at Cucalorus and this year we’re bringing you two films from our Reel Engagement series that will be included in their “Works-in-Progress” documentary program. Films under this category are unfinished works that are screened in an informal workshop setting where filmmakers can seek feedback and receive input as well as share information about their films. Xmas Without China Thursday, November 8 @ 7:45 PM Jengo’s Playhouse Pride and mischief inspire Chinese immigrant Tom Xia to challenge his American neighbors to survive the Christmas season without any Chinese products. Fed up with toy and food recalls, the Jones family down the street eagerly accept the consumer mission-impossible and are drawn into a surprising intercultural exchange with the Xia family. Tom Xia, who is the star of the film and also one of the producers, and the director Alicia Dwyer will be in attendance to dialogue with the audience after the screening! They are putting the finishing touches on the film and making plans for their audience engagement and are looking for input from both filmmakers and folks working on the issues the film addresses. American Revolutionary Saturday, November 10 @ 1:45 PM Jengo’s Playhouse Grace Lee Boggs is a 96-year-old Chinese-American activist and philosopher in Detroit who has dedicated her life to creating the next American Revolution. What Grace means by revolution and her journey through a century's worth of social movements -- from labor to civil rights, Black Power to environmental justice -- tells an unexpected story of how one woman changed herself to change the world around her. In the wake of the Arab Spring, and Occupy Wall Street, Grace's 70 years of experience as a movement activist provide both a long view and inspiration for a new generation of 21st century citizens to be the change they wish to see in the world.| American Revolutionary - Indiegogo 09/1/11 from American Revolutionary on Vimeo. Filmmaker Grace Lee (who yes, shares a name with her subject) will be in attendance and is looking forward to a conversation with the audience both about the film’s content and how it can be used as a tool to advance intergenerational dialogue and action on important social issues. Working Films’ staff will be facilitating the post screening Q&As at these events!  Please join us. For more info on how to get tickets for these and other Cucalorus events go to: http://www.cucalorus.org/tickets.asp